Marcel Duchamp

The Duchamp Chronicles

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Introduction
R. Mutt 1917
The Duchamp Chronicles
Op Art - Don't Mistake it!
The Method Behind His Maddness
The Artists Who Followed
Bibliography
Pictures cited
The Man Behind the Site

duchamp1.jpg
Tomkins, C. The World of Marcel Duchamp 1887 - .New York: Time Incorperated. 1966. 173

Major works produced by him though his life

1887 -  Blainville, France, Marcel Duchamp is born.
1902 - L'Eglise de Blainville - One of the first paintings done by Duchamp with the Cezanne influence.
1912 - Nude Decendind the staircase - Done in the cubist style, he produced 2 other similar paintings. he devised this tequnique for showing motion. Initially turned away by the Independant Artists Society for poking fun at the static style of Cubism. Another humourish moment for Duchamp as this was his ploy, to show the weakness of Cubism.
1917 - The Fountain - Presented under the alias R. Mutt (see the page entitled R. Mutt 1917)
1918 - Tu m' would become the last canvas for Duchamp to ever paint on, filled with iconic imagry, the assemblege itself depicts a certain disdain for painting.
1924 - The Rotative demi-sphere - One of the pieces Duchamp would create that would lead to the influence of the art movement, Op Art.
1915-1923 - The Large glass, which was greatly worked on by Duchamp is finally laid to rest, and deemed incomplete by him.
1938 - Duchamp suspends coal bags over a stove as part of an installation for a Surrealism venue in France.
1941 - Box in a Valise - simply put, it's a portable museum of Duchamp's works
1946-1966 - Duchamp works for close to 20 years to produce Etant Donnes, a combination piece to The Large Glass. The piece looking like a huge wooden door, upon inspection, the viewer would find two small holes to look though (like in the large glass), beyond these holes was a 3D space of mountains, scenery, and a naked woman lying in the grass.
1968 - Duchamp dies, and is laid to rest in his family grave.
 
**Both The Large Glass, and Etant Donnes, are the same image. One however is a depiction of the abstract, and the other the visible world we know.**
 
Hulten, Puntus. Marcel Duchamp: Work and Life. Cambridge: MIT Press.1993. 28 -154
 
Tomkins, C. The World of Marcel Duchamp 1887 - .New York: Time Incorperated. 1966. 77-82,83-84, 89 - 93
 
 

"I have forced myself to contradict myself in order to avoid conforming to my own taste.” - Marcel Duchamp

J.Benbow 2008